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  1. Asphodel
  2. 56号(2021)
  1. 表象文化学部
  2. 英語英文学科

記憶のパリンプセストとその先へ:ドラブルのThe Ice Age(1977)の考察

https://doi.org/10.15020/00002142
https://doi.org/10.15020/00002142
dfb0e47c-f68e-4e9c-80a3-6d8130d5680c
名前 / ファイル ライセンス アクション
AN00000289-20210724-13.pdf 記憶のパリンプセストとその先へ:ドラブルのThe Ice Age(1977)の考察 (1.0 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2021-08-05
タイトル
タイトル 記憶のパリンプセストとその先へ:ドラブルのThe Ice Age(1977)の考察
タイトル
タイトル Connections Among Past, Present and Future: A Study of The Ice Age (1977) by Margaret Drabble
言語 en
言語
言語 jpn
キーワード
主題Scheme Other
主題 内的表象としてのランドマーク
キーワード
主題Scheme Other
主題 新旧の直線的構図
キーワード
主題Scheme Other
主題 自由意志と神の摂理の共存
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.15020/00002142
ID登録タイプ JaLC
著者 風間, 末起子

× 風間, 末起子

WEKO 6762

風間, 末起子

ja-Kana カザマ, マキコ

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Makiko, KAZAMA

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en Makiko, KAZAMA

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著者 所属
値 同志社女子大学学芸学部英語英文学科
著者所属(翻訳)
値 Doshisha Women's College of Liberal Arts, Faculty of Culture and Representation, Department of English
著者 外部リンク
表示名 同志社女子大学研究者データベース-風間 末起子
URL https://research-db.dwc.doshisha.ac.jp/rd/html/japanese/researchersHtml/1568/1568_Researcher.html
抄録
内容記述タイプ Abstract
内容記述 Margaret Drabble’s eighth novel, The Ice Age (1977) is a challenging work in which she attempts to take some new lines in writing. IA is remarkably different from her previous seven novels in the sense that it makes a difficult departure from her writing of novels of manners based on describing everyday life with a touch of humour.
First of all, the major character is not female but male. Although Drabble has been labeled as “a women’s writer,” and she had been focused on female characters since her first novel, A Summer Bird-Cage (1963), IA is a story about a male figure, Anthony Keating.
Second, the social background of this novel is the economic recession of the 1970s UK. Anthony is a typical middle-class son of an Anglican archbishop in northern England, a graduate of a public school, and an Oxford dropout. He thrusts himself into the trade of property development so that he can avoid a gentleman’s profession expected by social class conventions. As a result, he finds himself involved in the economic stagnation of the first half of the 1970s and also experiences a great depression meandering through a dangerous realm of physical and mental bankruptcies.
Third, Anthony’s mental record is traced through some architectural landmarks such as a cathedral, a gasometer, and a sweet factory; he can merge the present with the past and circulate
through both by perusing the present situations overlapped on past memory and history just as if reading a palimpsest. At the same time, a major character’s viewpoint is linked with that of the other characters in order to comprehend what he/she feels; this shift functions as a means to embody multiple viewpoints.
Fourth, in this novel Anthony Keating finally relies on religious belief, a belief in God, through reading Boethius’s The Consolation of Philosophy (AD 525) when he is at a halt and fails in connecting past, present and future. Although many of Drabble’s main characters attempt to unite human free will with an irrational fate, Anthony declares the convergence between a free will and Providence, instead of the reconciliation between a free will and absurdity which is pursued in many of her novels.
On the whole, IA can be seen as a sort of trial work followed by a next masterpiece, The Middle Ground (1980), which further develops ingenuity, artistry, and skill. In this article, I’d like to examine IA to exemplify how Drabble tries to explore a new direction in her writing.
内容記述
内容記述タイプ Other
内容記述 論文
書誌情報 Asphodel

巻 56, p. 13-39, 発行日 2021-07-24
出版地
出版者 京都
出版者
出版者 同志社女子大学英語英文学会
ISSN
収録物識別子タイプ ISSN
収録物識別子 02857715
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00000289
資源タイプ
内容記述タイプ Other
内容記述 application/pdf
ID
内容記述タイプ Other
内容記述 AN00000289-20210724-13
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