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現代ミュージカルにおけるシェイクスピア：大衆文化の原像
https://doi.org/10.15020/00001763
https://doi.org/10.15020/00001763d792371a-7486-4e11-abbf-97233abd36ff
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
現代ミュージカルにおけるシェイクスピア：大衆文化の原像 (1.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-06-05 | |||||
| タイトル | ||||||
| タイトル | 現代ミュージカルにおけるシェイクスピア：大衆文化の原像 | |||||
| タイトル | ||||||
| タイトル | Shakespeare in Contemporary American Musicals:An Archetype of Popular Culture | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15020/00001763 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
湊, 圭史
× 湊, 圭史× Minato, Keiji |
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| 著者 所属 | ||||||
| 値 | 同志社女子大学・表象文化学部・英語英文学科 | |||||
| 著者所属(翻訳) | ||||||
| 値 | Department of English, Faculty of Culture and Representation, Doshisha Womenʼs College of Liberal Arts | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | For creators in musical theatre in the United States, William Shakespeareʼs plays have been a great source of inspiration. Early successes in Shakespeare musical adaption like The Boys from Syracuse (1938), Kiss Me, Kate (1948), and West Side Story (1957) are regarded as true masterpieces in the history of musicals. The Shakespeare craze in U.S. musicals, however, really took hold from the late 1960s, when rock and other new popular genres of music began to change the scene of American musicals. Your Own Thing (1968) and Two Gentlemen of Verona (1971), both based on Shakespearean comedies, are now “rock musical” classics. In the new millennium, the musical world is having another surge of works inspired by Shakespeareʼs works, and the figure of Shakespeare as a playwright also appears in a variety of forms on the musical stage. This paper traces the history of American musicals related to Shakespeare and his works to show how various elements of Shakespearean plays and Shakespeare himself as a liberating figure in popular theatrical culture have been helping creators of musicals deal with the latest cultural and political issues in each new generation. |
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| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 書誌情報 |
総合文化研究所紀要 en : Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts 巻 35, p. 164-182, 発行日 2018-07-27 |
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| 出版地 | ||||||
| 出版者 | 京都 | |||||
| 出版者 | ||||||
| 出版者 | 同志社女子大学総合文化研究所 (学術研究支援課) | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09100105 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10052143 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| ID | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | AN10052143-20200605-164 | |||||
