{"created":"2023-05-15T14:06:35.008128+00:00","id":1809,"links":{},"metadata":{"_buckets":{"deposit":"8ff4822d-72d6-4b1f-917b-419c93075b5e"},"_deposit":{"created_by":19,"id":"1809","owners":[19],"pid":{"revision_id":0,"type":"depid","value":"1809"},"status":"published"},"_oai":{"id":"oai:dwcla.repo.nii.ac.jp:00001809","sets":["22:24","224:340"]},"author_link":["6164","6165"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-07-27","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"182","bibliographicPageStart":"164","bibliographicVolumeNumber":"35","bibliographic_titles":[{"bibliographic_title":"総合文化研究所紀要"},{"bibliographic_title":"Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_35":{"attribute_name":"ID","attribute_value_mlt":[{"subitem_description":"AN10052143-20200605-164","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"For creators in musical theatre in the United States, William Shakespeareʼs plays have been a great source of inspiration. Early successes in Shakespeare musical adaption like The Boys from Syracuse (1938), Kiss Me, Kate (1948), and West Side Story (1957) are regarded as\ntrue masterpieces in the history of musicals.\nThe Shakespeare craze in U.S. musicals, however, really took hold from the late 1960s, when rock and other new popular genres of music began to change the scene of American musicals. Your Own Thing (1968) and Two Gentlemen of Verona (1971), both based on Shakespearean comedies, are now “rock musical” classics. In the new millennium, the musical world is having another surge of works inspired by Shakespeareʼs works, and the figure of Shakespeare as a playwright also appears in a variety of forms on the musical stage.\nThis paper traces the history of American musicals related to Shakespeare and his works to show how various elements of Shakespearean plays and Shakespeare himself as a liberating figure in popular theatrical culture have been helping creators of musicals deal with the latest\ncultural and political issues in each new generation.","subitem_description_type":"Abstract"}]},"item_10002_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15020/00001763","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_32":{"attribute_name":"出版地","attribute_value_mlt":[{"subitem_publisher":"京都"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社女子大学総合文化研究所 (学術研究支援課)"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10052143","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09100105","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_27":{"attribute_name":"著者 所属","attribute_value_mlt":[{"subitem_text_value":"同志社女子大学・表象文化学部・英語英文学科"}]},"item_10002_text_28":{"attribute_name":"著者所属(翻訳)","attribute_value_mlt":[{"subitem_text_value":"Department of English, Faculty of Culture and Representation, Doshisha Womenʼs College of Liberal Arts"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"湊, 圭史"},{"creatorName":"ミナト, ケイジ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"6164","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Minato, Keiji","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"6165","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-06-08"}],"displaytype":"detail","filename":"AN10052143-20200605-164.pdf","filesize":[{"value":"1.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"現代ミュージカルにおけるシェイクスピア：大衆文化の原像","url":"https://dwcla.repo.nii.ac.jp/record/1809/files/AN10052143-20200605-164.pdf"},"version_id":"2b9ed8eb-7fec-497a-896a-5ba14a0c9db4"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"現代ミュージカルにおけるシェイクスピア：大衆文化の原像","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"現代ミュージカルにおけるシェイクスピア：大衆文化の原像"},{"subitem_title":"Shakespeare in Contemporary American Musicals:An Archetype of Popular Culture","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"19","path":["24","340"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-06-05"},"publish_date":"2020-06-05","publish_status":"0","recid":"1809","relation_version_is_last":true,"title":["現代ミュージカルにおけるシェイクスピア：大衆文化の原像"],"weko_creator_id":"19","weko_shared_id":-1},"updated":"2023-05-15T14:39:29.208500+00:00"}