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ベルリンの聴衆に届けられた「日本の西洋音楽」 : 貴志康一の考える「日本音楽」、編み出した「西洋音楽」
https://doi.org/10.15020/00000608
https://doi.org/10.15020/00000608ef6ea250-39b2-4cfc-a114-e9741275fadd
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AN10052143-20050331-145.pdf (1.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2005-03-31 | |||||
| タイトル | ||||||
| タイトル | ベルリンの聴衆に届けられた「日本の西洋音楽」 : 貴志康一の考える「日本音楽」、編み出した「西洋音楽」 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15020/00000608 | |||||
| ID登録タイプ | JaLC | |||||
| 別タイトル | ||||||
| その他のタイトル | The reception of "Japanese Western music" in Berlin : Kishi Koichi's conception of "Japanese music" and his invention of "Western music" | |||||
| 著者 |
仲, 万美子
× 仲, 万美子× 三島, 郁× NAKA, Mamiko× MISHIMA, Kaoru |
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| 著者 所属 | ||||||
| 値 | 同志社女子大学学芸学部音楽学科 | |||||
| 著者 所属 | ||||||
| 値 | 甲南女子大学非常勤講師 | |||||
| 著者所属(翻訳) | ||||||
| 値 | Doshisha Women's College of Liberal Arts, Faculty of Liberal Arts, Department of Music | |||||
| 著者 外部リンク | ||||||
| 表示名 | 同志社女子大学研究者データベース - 仲万美子 | |||||
| URL | http://research-db.dwc.doshisha.ac.jp/rd/html/japanese/researchersHtml/2566/2566_Researcher.html | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | For about ten years, Kishi Koichi (1909-1937) was active both in Japan and abroad as a musician and composer. In this paper we focus on his third extended stay in Berlin, which we believe was the most important because it was during the period that he created his concept of "Japanese Western music" based on Western principles. As research materials we have used items which were donated to the Kishi Koichi Memorial Room by his bereaved family as well as other resources in German institutions such as the Ufa-Kinemathek Foundation in Berlin. We have analyzed and compared two of Kishi's essays in which he demonstrated his concept of "Japanese music" newspaper and articles about a concert titled "Japanisher Abend (Japanese evening)," which he held in 1934. We also examined Kishi's attitude toward production, the German public's reaction to his works, and the significance of a Japanese musician performing in the West at he beginning of the 20th century. As a result, we have found much consistency between the Japanese and German source materials and have been able to clearly determine how important Kishi was in establishing a dialogue between Eastern and Western culture. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 (Articles) | |||||
| 書誌情報 |
総合文化研究所紀要 en : Bulletin of The Institute for Interdisciplinary Studies of Culture Doshisha Women's College of Liberal Arts 巻 22, p. 145-164, 発行日 2005-03-31 |
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| 出版地 | ||||||
| 出版者 | 京都 | |||||
| 出版者 | ||||||
| 出版者 | 同志社女子大学総合文化研究所 (学術研究推進センター) | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09100105 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10052143 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| ID | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | AN10052143-20050331-145 | |||||
