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“A place for noise”: Dissonance, Protest, and Youth in Expo ’70 and its Representations
https://doi.org/10.15020/00001875
https://doi.org/10.15020/00001875829b42a0-082c-4a83-a581-4554b55ac7ae
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
“A place for noise”: Dissonance, Protest, and Youth in Expo ’70 and its Representations (547.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-10-29 | |||||
| タイトル | ||||||
| タイトル | “A place for noise”: Dissonance, Protest, and Youth in Expo ’70 and its Representations | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15020/00001875 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Elliott, Andrew C.
× Elliott, Andrew C. |
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| 著者 所属 | ||||||
| 値 | 同志社女子大学・学芸学部・国際教養学科・准教授 | |||||
| 著者所属(翻訳) | ||||||
| 値 | Department of International Studies, Faculty of Liberal Arts, | |||||
| 著者 外部リンク | ||||||
| 表示名 | 同志社女子大学研究者データベース - Andrew C. Elliott | |||||
| URL | https://research-db.dwc.doshisha.ac.jp/rd/html/japanese/researchersHtml/3346/3346_Researcher.html | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The 1970 World Exposition in Osaka (Expo ’70) has been critiqued as an ideological performance that assuaged and coopted political, social, and artistic protest movements in the 1960s through the mobilization of citizens behind economic development policies and the promotion of depoliticized consumer lifestyles. Recent research by Midori Yoshimoto and others investigating the expo as a site of multiple voices and interest groups has, however, challenged this view. This essay furthers this inquiry through an analysis of two contemporary expo-related texts: a photograph of the raku-gaki ko¯na¯ in Nicolas Bouvier’s Chronique japonaise (1975); and the Daiei monster movie, Gamera tai Daimaju¯ Jaiga¯ (1970). These depict the expo as both a contested event and, relatedly, an event for young people through the figure or device of “noise.” Literally, noise appears in these texts as cacography on designated walls of the site and as low-frequency sound used as a weapon against monster attack. In that, in both cases, noise is a means to protect the expo by regulating opposition, I argue that it represents the limits on meaningful political speech that Expo ’70 both itself embodied and proclaimed for post-1970 society. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 書誌情報 |
総合文化研究所紀要 en : Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts 巻 37, p. 21-38, 発行日 2020-07-29 |
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| 出版地 | ||||||
| 出版者 | 京都 | |||||
| 出版者 | ||||||
| 出版者 | 同志社女子大学総合文化研究所 (学術研究支援課) | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09100105 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10052143 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| ID | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | AN10052143-20200817-21 | |||||
