WEKO3
アイテム
神字雑考：杜甫から神の原像へ
https://doi.org/10.15020/00001856
https://doi.org/10.15020/0000185688936234-1bed-4de0-af6f-f494f87dd04d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
神字雑考：杜甫から神の原像へ (2.6 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-09-03 | |||||
| タイトル | ||||||
| タイトル | 神字雑考：杜甫から神の原像へ | |||||
| タイトル | ||||||
| タイトル | Random thoughts on the character「神」：Tracing the original image of「神」through Du Fu | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15020/00001856 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
朱, 捷
× 朱, 捷× ZHU, jie |
|||||
| 著者 所属 | ||||||
| 値 | 同志社女子大学・現代社会学部・社会システム学科・教授 | |||||
| 著者所属(翻訳) | ||||||
| 値 | Department of Social System Studies, Faculty of Contemporary Social Studies, | |||||
| 著者 外部リンク | ||||||
| 表示名 | 同志社女子大学研究者データベース - 朱 捷 | |||||
| URL | https://research-db.dwc.doshisha.ac.jp/rd/html/japanese/researchersHtml/2189/2189_Researcher.html | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | What was the original image of the character 神 (Jp. kami: Ch. shén: Eng. “god, deity, divinity”)? And what did it mean to ancient Chinese people? Drawing on sources such as the poetry of Du Fu (712–770 CE), the Guanzi, the Mozi, and the results of recent studies in ancient Chinese archeology and paleography, this essay proposes one theory. It concludes that the Chinese character 神 and the attitude toward divinity held by the ancient Chinese was something very close to shamanism. As it is used in the poetry of Du Fu, the character 神 means something similar to “divine possession.” Body and spirit resonate in tune with the divine, the very soul quakes—Du Fu thought that it was this to which the best poetry should aspire. In the Guanzi and the Mozi, the character 神 does not denote a personal god with human characteristics like substance, a will, or individuality. It is, rather, functional. Yet, much as shamans do, humans must participate in particular practices and demonstrate certain virtues in order to gain access to the divine. The most recent classical Chinese paleographical research indicates that the character 神 originates in an image of a dragon with two mouths. The dragon—that is, the divine—granted life and death through these two mouths. The entity that communed with the dragon was the shaman. In ancient China, then, the relationship between the divine and the human was not one of domination and subordination. Rather, it was the intermingling, reciprocal sense of awareness that was paramount—an idea that has implications for contemporary humans contemplating the relationship between the human and the divine. |
|||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 書誌情報 |
総合文化研究所紀要 en : Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts 巻 36, p. 34-50, 発行日 2019-07-29 |
|||||
| 出版地 | ||||||
| 出版者 | 京都 | |||||
| 出版者 | ||||||
| 出版者 | 同志社女子大学総合文化研究所 (学術研究支援課) | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09100105 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10052143 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| ID | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | AN10052143-20200812-34 | |||||
