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サウンドスケープと地理学者 : 景観と風景に関する一考察
https://doi.org/10.15020/00001037
https://doi.org/10.15020/0000103782cb8e2a-4874-4d52-aa97-8109944c1968
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AN00000289-20100726-110.pdf (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-07-26 | |||||
| タイトル | ||||||
| タイトル | サウンドスケープと地理学者 : 景観と風景に関する一考察 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | soundscape | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Soundscape Association of Japan | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | landscape | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | geography | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | landscape studies | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15020/00001037 | |||||
| ID登録タイプ | JaLC | |||||
| 別タイトル | ||||||
| その他のタイトル | Soundscape and the geographers : a discussion on landscape and view | |||||
| 著者 |
潟山, 健一
× 潟山, 健一× GATAYAMA, Kenichi |
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| 著者 所属 | ||||||
| 値 | 同志社女子大学学芸学部国際教養学科 | |||||
| 著者所属(翻訳) | ||||||
| 値 | Doshisha Women's College of Liberal Arts, Faculty of Liberal Arts, Department of International Studies | |||||
| 著者 外部リンク | ||||||
| 表示名 | 同志社女子大学研究者データベース - 潟山健一 | |||||
| URL | http://research-db.dwc.doshisha.ac.jp/rd/html/japanese/researchersHtml/2100/2100_Researcher.html | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Soundscape' is a word created by the Canadian composer, Raymond Murray Schafer (1933-) in the 1960s, obviously based on the word 'landscape'. Since then, the word has caught on and the concept has been studied in various kinds of academic fields such as musicology, acoustics, architecture, sociology, geography, and so on. It is also used in our daily lives concerning problems to do with the auditory environment. In Schafer's original idea, 'soundscape' was not really an object around us, but a 'heard' environment, which implies the subjectivity of a human agent. But it has often confused researchers, especially geographers, who in most cases have considered landscape as objective reality. The discussion continues, with some saying soundscape is an environment and others saying it always includes our way of hearing the sound. On the other hand, in the current trend in landscape studies in Japan, as an interdisciplinary field, 'landscape' (keikan) is clearly understood as an object while 'view' (fuˆkei) is seen as a more subjective interpretation. This could give good suggestion to Japanese geographers if they would like to contribute more to the activities and studies of the Soundscape Association of Japan: a new step in terminology needs to be taken first, making a clear distinction between 'soundscape' as an object and, say, 'sonic view', which can imply our way of hearing. Of course, it is not simply a problem of terminology but also one of philosophy itself. Further discussion seems to be required to establish the philosophy of soundscape. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 書誌情報 |
Asphodel 巻 45, p. 110-132, 発行日 2010-07-26 |
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| 出版地 | ||||||
| 出版者 | 京都 | |||||
| 出版者 | ||||||
| 出版者 | 同志社女子大学英語英文学会 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02857715 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00000289 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| ID | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | AN00000289-20100726-110 | |||||
