@article{oai:dwcla.repo.nii.ac.jp:00000720,
 author = {椎名, 亮輔 and SHIINA, Ryosuke},
 journal = {総合文化研究所紀要, Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts},
 month = {Mar},
 note = {application/pdf, AN10052143-20110331-35, German Romanticism inaugurated a interest in the German folksong (das Volkslied), seen as representative of the people's spirit (der Volksgeist). German Romantics began to collect native folksongs around the end of the 18th century and the beginning of the 19th. German defeat in the Napoleonic wars was one of the motives for Germany's musical nationalism; in France, defeat in the Franco-Prussian War inspired a nationalistic passion for collecting French folksongs. Contrary to the German case, though France's government encouraged and financed scholarly folk song collecting. 
　We find in France's musical nationalism a conflict between administrative and cultural centralization and "regionalisme", a conflict Deodat de Severac, a French and Languedocian composer, embodied musically. Unlike Bela Bartok, who collected and studied Hungarian folksongs "scientifically", Severac presents a complicated case when examined as a collector of folksongs and art music composer., 論文 (Article)},
 pages = {35--52},
 title = {ヨーロッパにおける民謡と芸術音楽 : フランスの事例を中心に},
 volume = {28},
 year = {2011},
 yomi = {シイナ, リョウスケ}
}