@article{oai:dwcla.repo.nii.ac.jp:00000659,
 author = {朱, 捷 and ZHU, jie},
 journal = {総合文化研究所紀要, Bulletin of The Institute for Interdisciplinary Studies of Culture Doshisha Women's College of Liberal Arts},
 month = {Mar},
 note = {AN10052143-20070331-125, Stories of animal spouses-marriages in which animals change their forms and marry human beings-are common to Japan and China, but the conclusions of these stories in each culture are quite different.
　In the Japanese stories, the creature (a fox or some similar animal) changes into a beautiful woman or a beautiful man, lures the human being into marriage, and then, through some strange turn of events, is revealed as an animal, whereupon the marriage collapses. In some Chinese stories, by contrast, the creature's true nature is known from the outset, or, in others, only strengthens the tie between the human and the animal when it is revealed midway through the story.
　These stories of creature marriage have attracted the attention of numerous psychologists because through them it is possible to understand how non-human species and their alien state of being is reflected in the human psyche, and in this way to approach the "self" of the storyteller.
　The late Harvard professor Chang Kwang-chih, in his research on animal patterns on Chinese bronze-ware, understood animals as the "alter egos" of human beings. This paper takes Chang's conclusion as its starting-place, and, distinguishing between the revealed self and the hidden self, reconceives Chang Kwang-chih's "alter ego" as the hidden self, and discusses the difference in modes of being between the revealed self and the hidden self in Chinese and Japanese people., 論文 (Article)},
 pages = {125--136},
 title = {第二の自我 (alter ego) としての異類},
 volume = {24},
 year = {2007},
 yomi = {シュ, ショウ}
}