@article{oai:dwcla.repo.nii.ac.jp:00001659,
 author = {風間, 末起子 and KAZAMA, Makiko},
 journal = {Asphodel, Asphodel},
 month = {Jul},
 note = {application/pdf, AN00000289-20180726-112, This short research report will show a possible interpretation of a female character, Bathsheba Everdene, through a consideration of her physical appearance, including clothing, hairstyle, and facial features. Bathsheba Everdene, a main character in Far From the Madding Crowd (1874), one of the early novels of Thomas Hardy (1840-1928), seems to be constrained and tamed within the feminine vulnerability and weakness gendered in the framework of the 19th-century Victorian sexual code. At the same time, however, we can discover plural implications in her appearance through Hardy’s intentional device of providing ‘a double’ so that tough Bathsheba is assimilated and solidified with a minor character, frail Fanny Robin. Bathsheba’s ambivalence represented as a Pieta may illustrate a woman who is not static but in process, in other words, “woman as an open-ended becoming” (Moi, 83)., 論文},
 pages = {112--119},
 title = {ピエタ像という表象:外観によるジェンダー化とその不明瞭さ},
 volume = {53},
 year = {2018},
 yomi = {カザマ, マキコ}
}