@article{oai:dwcla.repo.nii.ac.jp:00001407,
 author = {松谷, 容作 and MATSUTANI, Yosaku},
 journal = {総合文化研究所紀要, Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts},
 month = {Jul},
 note = {application/pdf, AN10052143-20160715-1, New and diverse art practices based on digital technologies have appeared in Japan since 2010. These practices have different methodologies, tendencies, and features than the art that appeared before. It may seem that pre-internet art and post-internet art do not share any common ground. However, if we could locate their common ground, I believe we would be able to encourage communication among ourselves on the axis of todayʼs art.
 In this paper, I attempt to reveal the methodologies, tendencies, and features in the diverse practices of todayʼs art by focusing on two contemporary perspectives: “Post-Internet Art” and “New Aesthetics.” Furthermore, through an analysis of todayʼs art, especially that of Japanese artists Nukeme and Takeshi Maeda, I will attempt to answer the following questions:Where does todayʼs art come from? What does it signify? What kind of conversation does it generate?, 論文},
 pages = {1--14},
 title = {アートとコンピュテーション：「ポスト・インターネット・アート」と「新たな美学」の観点から},
 volume = {33},
 year = {2016},
 yomi = {マツタニ, ヨウサク}
}