@article{oai:dwcla.repo.nii.ac.jp:00001053,
 author = {児玉, 富美恵 and KODAMA, KODAMA,Fumie},
 journal = {Asphodel},
 month = {Jul},
 note = {application/pdf, AN00000289-20100726-30, Hyperion and The Fall of Hyperion, which deal with the fall of the Titans in Greek mythology, are fragments of epic poems. The purpose of this paper is to analyze Milton's and Dante's influences on the two Hyperions and how Keats was able to achieve a degree of independence in his own compositions.
　In the autumn of 1818, Keats began to compose Hyperion according to the convention of epics, under the influence of Milton's Paradise Lost. But in the spring of 1819, he gave up the poem. After that, he composed The Fall of Hyperion as an adaptation of Hyperion, following Dante's The Divine Comedy (1307-1321). But he ended up abandoning The Fall as well in the autumn of 1819.
　Keats took a dislike to many Miltonic elements. He asserted that his own way of poetic composition was using the pure English language in accord with Thomas Chatterton (1752-1770). This is seen in "To Autumn", which was written just before he gave up The Fall. His growth as a poet made Keats reject the use of Miltonic elements, and the project of the epic Hyperion ended in failure. At the same time, Keats's identity as a poet was established, and many poems in his original voice were to follow., 論文},
 pages = {30--50},
 title = {二つのHyperionにおけるKeatsの叙事詩への挑戦 : Milton, Danteからの自立過程の探求},
 volume = {45},
 year = {2010},
 yomi = {コダマ, フミエ}
}