2026-03-11T15:52:41Z https://dwcla.repo.nii.ac.jp/oai

oai:dwcla.repo.nii.ac.jp:00000721 2023-05-16T03:33:53Z 17:18 224:241

Looking at concepts of Chinese culture in the Chinese language through Chinese painting 中国絵画にみる漢字文化的思考 朱, 捷 1480 シュ, ショウ 1000040235700 1000040235700 40235700 ZHU, Jie 1713 application/pdf AN10052143-20110331-53 My research into concepts of Chinese culture in the Chinese language seeks the contemporary meanings of those concepts by examining the relationships that connect the structure of Chinese characters to Chinese words and the characteristic features found in the modes of thought typical of the cultural and geographical regions that use or were influenced by the character. This research paper, focusing on painting, explores the relationships between various aspects of Chinese painting and Chinese cultural concepts as they occur in the Chinese language. 　Western thinking is very insistent on separating painting from poetry. In contrast, this paper concentrates on the connection between Chinese painting and poetry in order to argue that the origin of Chinese painting resides in poetry-that, Chinese painters do not imitate nature, but paint as if they were writing a poem. I argue, moreover, that a search for the primitive form of Chinese painting leads back to the patterns in oracle bone scripts and bronze ware. 論文 (Article) departmental bulletin paper 京都 同志社女子大学総合文化研究所 (教育・研究推進センター) 2011-03-31 application/pdf 総合文化研究所紀要 28 53 68 Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts AN10052143 09100105 https://dwcla.repo.nii.ac.jp/record/721/files/AN10052143-20110331-53.pdf https://doi.org/10.15020/00000708 https://dwcla.repo.nii.ac.jp/records/721 jpn 40018944259