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中国絵画にみる漢字文化的思考 Looking at concepts of Chinese culture in the Chinese language through Chinese painting 1000040235700 40235700 朱, 捷 シュ, ショウ ZHU, Jie application/pdf AN10052143-20110331-53 My research into concepts of Chinese culture in the Chinese language seeks the contemporary meanings of those concepts by examining the relationships that connect the structure of Chinese characters to Chinese words and the characteristic features found in the modes of thought typical of the cultural and geographical regions that use or were influenced by the character. This research paper, focusing on painting, explores the relationships between various aspects of Chinese painting and Chinese cultural concepts as they occur in the Chinese language. 　Western thinking is very insistent on separating painting from poetry. In contrast, this paper concentrates on the connection between Chinese painting and poetry in order to argue that the origin of Chinese painting resides in poetry-that, Chinese painters do not imitate nature, but paint as if they were writing a poem. I argue, moreover, that a search for the primitive form of Chinese painting leads back to the patterns in oracle bone scripts and bronze ware. 論文 (Article) 京都 同志社女子大学総合文化研究所 (教育・研究推進センター) 2011-03-31 jpn departmental bulletin paper https://doi.org/10.15020/00000708 https://dwcla.repo.nii.ac.jp/records/721 10.15020/00000708 40018944259 AN10052143 09100105 総合文化研究所紀要 Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts 28 53 68 https://dwcla.repo.nii.ac.jp/record/721/files/AN10052143-20110331-53.pdf application/pdf 963.0 kB 2015-08-05